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K exhibition view, from left to right: Hans-Christian Lotz, K objects, Lena Teresa Flohrschütz, Matthias Numberger
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K exhibition view with K’s conference-exhibition plateau, K’s projection screen and K objects, surrounded by exhibits of (from left to right)
Sarah Lehnerer, Matthias Numberger, Heike Jobst, Hannah Cooke, Franca Scholz |
K exhibition view with K’s conference-exhibition plateau, K’s projection screen and K objects, surrounded by exhibits
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K exhibition view, exhibits from front to back: Franca Scholz, Sarah
Lehnerer, Hannah Cooke, Matthias Numberger, Heike Jobst |
K-kit, one for each of the 19 K members with slightly different, shrink-wrapped content
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Matthias Numberger |
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Franca Scholz, from the series: “Unterschätz’ mir die Objekte nicht”,
printed foil, wood ledges, 100 x 140 cm, 2013, installation view |
Detail of Franca Scholz, from the series: “Unterschätz‘ mir die Objekte nicht”,
printed foil, wood ledges, 100 x 140 cm, 2013 |
Angela Stiegler, “Final Fantasy”, minibeamer, projection, 2013
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Detail of Angela Stiegler, “Final Fantasy”, minibeamer, projection, 2013
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Password: K
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KONFERENCE
12:00 13:00 14:30 15:00 |
16:00 16:30 16:45 17:30 K dinner ***** 19:00 20:00 20:30 – 22:30 |
KONTRIBUTIONS
Mona Altmann mit Johanna Ziebritzki joined intelligence, Performance, 2013 Hannah Cooke Guang Feng Cheng Lena Teresa Flohrschütz Heike Jobst
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Beate Körner Urich Lau Wai-Yuen Hans-Christian Lotz Moritz Nebenführ, Tracing the Digital Dialectic: A Phonographic Research, 2013 Matthias Numberger, |
Franca Scholz Thomas Silberhorn Angela Stiegler Felix Leon Westner, |
KOMMENTS
Bjarke Hvass Kure: Through the screen you enter the show (text by K‘s embedded journalist) Urich Lau: Appropriated from the constitution of the republic of Singapore – Part IV Fundamental Liberties Lennart Boyd Schürmann: Die φύσισ zeigt sich nicht mehr, nur noch dein Körper, Baby. Und auf dem Ge-Stell kann man auch keine Liebe mehr hervorbringen. Man kann nur noch Pizza bestellen und die Pizza uns. – A lecture on Heideggers τέχνη thinking. (German) Mona Altmann and Johanna Ziebritzki: A narrative report on the performance-experiment “Joined Intelligence” Hans-Christian Lotz: Komment on the K Live Stream |
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Urich Lau Wai-Yuen, “Life Circuit”, Performance with video goggles, sound mask, amp muffs, 2009-2013, (duration: 15 min)
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K conference at 1 pm: Urich Lau Wai-Yuen, “Life Circuit”, Performance via skype from Singapore with video goggles, sound mask,
amp muffs, 2009-2013, (duration: 15 min) |
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left: Philipp Gufler, “1978 (Pride IV)”, 2013 [red and violet], Plastic, epoxy resin, text collage on paper, 32 cm x 40 cm, Unique / right: Matthias Numberger, “System Study”, 3D print fragment and photography on light box, 27 x 41 x 6 cm, 2013
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Detail of Matthias Numberger, “System Study”, 3D print fragment and photography on light box, 27 x 41 x 6 cm, 2013
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Matthias Numberger, “Molecular Modelling”, inkjet print, 169 x 134 cm, 2013
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Lennart Boyd Schürmann, “Die Physis zeigt sich nicht mehr. Nur noch dein Körper, Baby.
- Heideggers Technik-Deutung, die Kunst als das Rettende.” |
Lennart Boyd Schürmann, “Die Physis zeigt sich nicht mehr. Nur noch dein Körper, Baby.
- Heideggers Technik-Deutung, die Kunst als das Rettende.” |
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Mona Altmann with Johanna Ziebritzki, “joined intelligence”,
Performance, 2013 |
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Felix Leon Westner, assosiative drawings made during the conference,
2013 |
Zhong Hua Liu, “Mad Time”, trailer to the First Country Side Science Fiction Animation in solar system, 04 min, 2013, Still
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K exhibition view, from left to right: Zhong Hua Liu, Franca Scholz, Jessica Yanti Hardjowirogo Dunleavy, Sarah Lehnerer
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Sarah Lehnerer, „Mood Board – demoversion“, videoloop, 2013, Still
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view of K’s conference at : Hannah Cooke’s lockpicking lesson
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Sketch on the table: tools Hannah Cooke brought for her lockpicking lesson
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Jessica Yanti Hardjowirogo Dunleavy, “EdinburghKarlsruhe2013_Masks”, duration: 50 min, Skill Exchange via Skype, 2013
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Jessica Yanti Hardjowirogo Dunleavy, “EdinburghKarlsruhe2013_Masks”, Skill Exchange via Skype, 2013, Masking
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Jessica Yanti Hardjowirogo Dunleavy, “EdinburghKarlsruhe2013_Masks”, Skill Exchange via Skype, 2013, instruction for hand masks
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Jessica Yanti Hardjowirogo Dunleavy, “EdinburghKarlsruhe2013_Masks”, Skill Exchange via Skype, 2013, hand massage
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Jessica Yanti Hardjowirogo Dunleavy, “EdinburghKarlsruhe2013_Masks”, Skill Exchange via Skype, Meditation part, 15 min
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Jessica Yanti Hardjowirogo Dunleavy, “EdinburghKarlsruhe2013_Masks”, Skill Exchange via Skype, 2013, Meditation part
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dirt on the table refined with a drawing
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Hans-Christian Lotz, untitled, pcbs, latex, cardboard, watercolour, and this plastic
foil, 2012/13 |
Hans-Christian Lotz, screenshot, 2013
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Thomas Silberhorn, “perpetuum mobile”, Metall, Fliege, Videokamera, 2013
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Beate Körner, “lecture”, performance, duration: 1 min, Still
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Beate Körner, “lecture”, performance, duration: 1 min
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Beate Körner, “häufen”, black sand, audio, loop, 2013
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Felix Leon Westner, drawing made during the conference, 2013
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Matthias Numberger and Philipp Gufler in conversation: “Why is the sexual and the technical so easily devided? A record referring to Jacob Gaboury’s:
A queer history of computing, Fred Halsted: LA plays himself and Derek Jarman’s: Wittgenstein” |
Lena Teresa Flohrschütz, “Geschlossene Gesellschaft”, Audio/Visual, Mixed Media, 2013
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Lena Teresa Flohrschütz, “Geschlossene Gesellschaft”, Audio/Visual, Mixed Media, 2013
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Backstage‘s view of Lena Teresa Flohrschütz, “Geschlossene Gesellschaft”,
Audio/Visual, Mixed Media, 2013 |
K opening to the public
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Official opening to the public: Introduction and Guided tour by Matthias Numberger and Angela Stiegler
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Felix Leon Westner, “Turn on, tune in, drop out”, soundperformance, 2013
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Felix Leon Westner, “Turn on, tune in, drop out”, drawing made during the soundperformance, 2013
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Felix Leon Westner, “Turn on, tune in, drop out”, 2013, documentation of the soundperformance, duration: 17 min
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exihibition view, (from left to right): Franca Scholz, Beate Körner, Felix Leon Westner, K object
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Franca Scholz, “Vom Mars oder vom Mond”, Ecole des Mines, Paris, photography, 40 x 60 cm, 2013
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Heike Jobst, “desire”, 2011, graphit and coloured pencil on paper, 21 x 19 cm
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K opening situation
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Hannah Cooke, “Lovelockpicking”, 23 lovelocks, socket, 2011-2013
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Guang Feng Cheng, “Fable 1: The Reformation and Opening Up of North Korea”, 2013, Still
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Moritz Nebenführ, “Tracing the Digital Dialectic: A Phonographic Research”, 2013
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Moritz Nebenführ, “Tracing the Digital Dialectic: A Phonographic Research”, 2013
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Moritz Nebenführ, “Tracing the Digital Dialectic: A Phonographic Research”, 2013, excerpt: 5 min
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Arranged groupshot on the 24th of November 2013 with K‘s physical present participants, from left to right: Lena Teresa Flohrschütz, Felix Leon Westner, Hannah Cooke, Anita Edenhofer, Lennart Boyd Schürman, Franca Scholz, Thomas Silberhorn, Sarah Lehnerer, Bjarke Hvass Kure, Johanna Ziebritzki, sitting: Matthias Numberger, Angela Stiegler. Virtually represented: Mona Altmann, Jessica Yanti Hardjowirogo Dunleavy, Guang Feng Cheng, Philipp Gufler, Heike Jobst, Beate Körner, Urich Lau Wai-Yuen, Zhong Hua Liu, Hans-Christian Lotz, Moritz Nebenführ
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LINKS AND LITERATURE
http://hannahcooke.de http://yantidunleavy.com/ http://www.lenateresaflohrschuetz.com/ http://www.philippgufler.de/ http://www.heike-jobst.de/ http://www.beatekoerner.de/ http://urichlauwy.info/ http://www.sarahlehnerer.de/ http://matthias.numberger.com/ http://www.thomas-silberhorn.com http://www.flachware.de/angela-stiegler/ http://www.flachware.de/felix-leon-westner/ |
Marie-Luise Angerer, Vom Begehren nach dem Affekt, diaphanes, Zürich, 2007
link to A M Baggs: In My Language Irene Albers, Anselm Franke, Animismus. Revisionen der Moderne, diaphanes, Zürich, 2012 Karen Barad, Agentieller Realismus. Über die Bedeutung materiell-diskursiver Praktiken, Suhrkamp, Berlin, 2012 Gottfried Benn, Gehirne: Novellen, Reclam, 1986 Gottfried Benn, Das Hörwerk 1928-56, Zweitausendeins, 2007 Lutz Dammbeck, Das Netz, 2004 Diedrich Diedrichsen, Anselm Franke (Hg.),The Wohle Earth. Kalifornien und das Verschwinden des Außen, Sternberg Press, 2013 Dickhoff, Wilfried (ed.), Marcel Broodthaers. Interviews & Dialoge 1946–1976, Cologne: 1994 Heinz von Förster, KybernEthik, Merve Verlag, Berlin, 2008 Donna Harraway, “Ein Manifest für Cyborgs. Feminismus im Streit mit den Technowissenschaften” in: Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen, Carmen Hammer, Immanuel Stiess (Hg.) Campus, 1995 Martin Heidegger, Einführung in die Metaphysik, Tübingen, Niemeyer (1935), 1998 Douglas R.Hofstadter (Hg.), “Kapitel XIX: Artifizielle Intelligenz: Aussichten” in: Gödel, Escher, Bach. Ein endlos geflochtenes Band, S. 683ff, (1979), dtv, München, 1991 |
Friedrich Kittler, Hans Ulrich Gumbrecht (Hg.), Die Wahrheit der technischen Welt, Suhrkamp, Berlin, 2013
Alexander Kluge Mitter Nachts Magazin mit Friedrich Kittler: Friedrich Kittler über die Entstehung der Interkontinentalraketen, der Atomphysik und der Globalen Beschleunigung aus dem Geist der MathematikMaurizio Lazzarato, Videophilosophie. Zeitwahrnehmung im Postfordismus, b-books, 2002 Evo Präkogler, Nicht schon wieder. Eine auf einer Floppy gefundene Datei, Mattes & Seitz, Berlin, 1990 Hito Steyerl, Lovely Andrea, 2007 http://www.ubu.com/film/steyerl_andrea.html Hito Steyerl, Die Farbe der Wahrheit. Dokumentarismen im Kunstfeld, Turis+Kant, Wien, 2008 Hito Steyerl, The Wretched of the Screen, Sternberg Press, 2012 On Alan Turing, Queer Computing, http://rhizome.org/editorial/2013/feb/19/queer-computing-1/ Semit Zeki, Glanz und Elend des Gehirns. Neurobiologie im Spiegel von Kunst, Musik und Literatur, Ernst Reinhardt, München, 2010 Evgeny Morozov, FAZ Artikel, http://www.faz.net/aktuell/feuilleton/debatten/evgeny-morozov-im-gespraech-es-ist-laecherlich-das-internet-erklaeren-zu-wollen-12614255.html |
IMPRINT
K initiated by Photographies: Anita Edenhofer, Matthias Numberger Responsible with regards to content: info(at)angelastiegler.de Layout and Design: Angela Stiegler, Matthias Numberger Webdesign and Coding: Philipp Numberger © Copyright 2014: All rights reserved. With the friendly assistance of Kulturamt der Stadt Karlsruhe This website is proudly powered by WordPress. |